Lolo Mégalo blessé en son honneur (1974)

Lionel Soukaz opens a wooden panel to discover the sky and comes across Italian workers singing. He longs for them and, when they leave in the evening, finds himself alone, watching television. This video mirror sends him back to his own time: Nixon, Giscard. So he dances like a cry for help: "Love me!”. The cross-dressing scenes are like a coming out, revealing the feminine side of the filmmaker at just twenty years of age.