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hovers reconstructs a fleeting goal celebration from a football video game into a hypnotic stop-motion loop of nearly three-meter-high paintings. Centered on the logic of leapfrog, in which subject and object continually reverse, the gesture is stripped of its momentary festivity and becomes a hollow ritual. Refusing the gameβs resumption, this βactive hoveringβ sustains perpetual liminality against the systemβs demand for resolution.
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